Film #127: Marathon Man

After winning Oscars in 1969 for Butch Cassidy and the Sundance Kid and again in 1976 for All the President's Men, legendary screenwriter William Goldman scribbled down the novel Marathon Man as well as its corresponding screenplay. Produced in 1976, the movie is clearly flawed, yet still I count it as an enjoyable tension-fest from Midnight Cowboy director John Schlesinger. A long way from

Film #127: Marathon Man

After winning Oscars in 1969 for Butch Cassidy and the Sundance Kid and again in 1976 for All the President's Men, legendary screenwriter William Goldman scribbled down the novel Marathon Man as well as its corresponding screenplay. Produced in 1976, the movie is clearly flawed, yet still I count it as an enjoyable tension-fest from Midnight Cowboy director John Schlesinger. A long way from

Film #102: Kramer Vs. Kramer

After a low-key credits sequence radiantly scored with Vivaldi's "Concerto in C Major for Mandolin & Strings," Kramer Vs. Kramer begins with an exquisite, madonna-like image of Joanna Kramer (Meryl Streep) as she's wishing her nearly-sleeping son Billy (Justin Henry) a good night. Trying to prolong the moment, she says "Don't let the bedbugs bite," and as she strokes his blond hair, he

Film #102: Kramer Vs. Kramer

After a low-key credits sequence radiantly scored with Vivaldi's "Concerto in C Major for Mandolin & Strings," Kramer Vs. Kramer begins with an exquisite, madonna-like image of Joanna Kramer (Meryl Streep) as she's wishing her nearly-sleeping son Billy (Justin Henry) a good night. Trying to prolong the moment, she says "Don't let the bedbugs bite," and as she strokes his blond hair, he

Film #44: Straight Time

Since 1972, Dustin Hoffman had been obsessed with making Straight Time, an adaptation of ex-convict Ed Bunker's novel No Beast So Fierce. It was meant to be the actor's directorial debut but, concluding that directing and performing were chores too big for him to handle in tandem, he brought in British director Ulu Grosbard to helm things behind the camera. Good move, because in 1978's sadly

Film #44: Straight Time

Since 1972, Dustin Hoffman had been obsessed with making Straight Time, an adaptation of ex-convict Ed Bunker's novel No Beast So Fierce. It was meant to be the actor's directorial debut but, concluding that directing and performing were chores too big for him to handle in tandem, he brought in British director Ulu Grosbard to helm things behind the camera. Good move, because in 1978's sadly