Happy Birthday, Alfred Hitchcock!

Yes, he was the Master of Suspense. But on 113th anniversary of his birth today, I prefer to focus not on his films, but on the man himself--particularly, his intelligence and indubitably dry wit. These aspects of his personality--coupled with his love of the macabre and the unending power of his films, of course--were what made him into a superstar. I believe that when informed people think

Happy Birthday, Alfred Hitchcock!

Yes, he was the Master of Suspense. But on 113th anniversary of his birth today, I prefer to focus not on his films, but on the man himself--particularly, his intelligence and indubitably dry wit. These aspects of his personality--coupled with his love of the macabre and the unending power of his films, of course--were what made him into a superstar. I believe that when informed people think

Hitchcock Reexamined, All At Once

I was alerted to this TRULY amazing bit of cinema academia via movie geek extraordinaire Ron Salvatore on Facebook. Here, courtesy of the fantastically talented ultraculture, we have 30 murder scenes from the films of Alfred Hitchcock, all synched up perfectly (and all climaxing with the requisite death knells). Their sound, images and especially their editing rhythms clash wonderfully on one

Hitchcock Reexamined, All At Once

I was alerted to this TRULY amazing bit of cinema academia via movie geek extraordinaire Ron Salvatore on Facebook. Here, courtesy of the fantastically talented ultraculture, we have 30 murder scenes from the films of Alfred Hitchcock, all synched up perfectly (and all climaxing with the requisite death knells). Their sound, images and especially their editing rhythms clash wonderfully on one

Film #82: The Wrong Man

Alfred Hitchcock's 1956 drama The Wrong Man remains an anomaly among the director's works. Eschewing his vividly colored, 50s-era studio slickness in favor of a street-level B&W, quasi-documentary form, Hitch held back nothing in telling the true story of Manny Balestrero (Henry Fonda, in possibly his most harrowing performance, next to his role as The President in Sidney Lumet's Fail-Safe).

Film #82: The Wrong Man

Alfred Hitchcock's 1956 drama The Wrong Man remains an anomaly among the director's works. Eschewing his vividly colored, 50s-era studio slickness in favor of a street-level B&W, quasi-documentary form, Hitch held back nothing in telling the true story of Manny Balestrero (Henry Fonda, in possibly his most harrowing performance, next to his role as The President in Sidney Lumet's Fail-Safe).

SIDE ORDERS #6

We start off with this edition of SIDE ORDERS with a fascinating, mysterious, graphically boisterous trailer for one of the world's perfect drive-in movies: Monte Hellman's 1971 masterpiece Two-Lane Blacktop. Despite his steady inprovement (there's not a movie I'm looking forward to more than his Lincoln bio-pic in 2009), Steven Spielberg has never helmed a better scene than this transportative

SIDE ORDERS #6

We start off with this edition of SIDE ORDERS with a fascinating, mysterious, graphically boisterous trailer for one of the world's perfect drive-in movies: Monte Hellman's 1971 masterpiece Two-Lane Blacktop. Despite his steady inprovement (there's not a movie I'm looking forward to more than his Lincoln bio-pic in 2009), Steven Spielberg has never helmed a better scene than this transportative