Film #144: The Tree of Life

The most special special effect in Terrence Malick's ultimate, unrelenting, devout cinematic achievement occurs at its outset: a valuable jewel-like dalliance of light and dark, color and blackness. It lingers, morphs, disappears and then returns to us at key moments.

I cannot help but open this piece by considering these apparitions. They happen so importantly. Why are they there? Why do

Film #144: The Tree of Life

The most special special effect in Terrence Malick's ultimate, unrelenting, devout cinematic achievement occurs at its outset: a valuable jewel-like dalliance of light and dark, color and blackness. It lingers, morphs, disappears and then returns to us at key moments.

I cannot help but open this piece by considering these apparitions. They happen so importantly. Why are they there? Why do

Yes, INGLOURIOUS BASTERDS excites me very much.

Am I wrong, or am I sensing a massive Tarantino backlash afoot? I've seen some very dismissive things written about his upcoming release Inglourious Basterds, and I have to say: I don't get it (could it be leftover hate from the not-well-received Grindhouse?). Sorry, naysayers, but Tarantino is one of our greatest, most vivacious filmmakers. I mean, every Tarantino movie is an absolute

Yes, INGLOURIOUS BASTERDS excites me very much.

Am I wrong, or am I sensing a massive Tarantino backlash afoot? I've seen some very dismissive things written about his upcoming release Inglourious Basterds, and I have to say: I don't get it (could it be leftover hate from the not-well-received Grindhouse?). Sorry, naysayers, but Tarantino is one of our greatest, most vivacious filmmakers. I mean, every Tarantino movie is an absolute