TriBeCa Diaries #3: Empire II

Dedicated not to Andy Warhol but to late film geniuses Ingmar Bergman and Michaelangelo Antonioni, Amos Poe's new experimental documentary Empire II still owes a lot--including its title--to the white-haired pop artist. Warhol's 1964 film Empire was an 8-hour black-and-white shot of the top half of the Empire State Building. It was a quizzical experiment that I suppose had to be done, but of

TriBeCa Diaries #3: Empire II

Dedicated not to Andy Warhol but to late film geniuses Ingmar Bergman and Michaelangelo Antonioni, Amos Poe's new experimental documentary Empire II still owes a lot--including its title--to the white-haired pop artist. Warhol's 1964 film Empire was an 8-hour black-and-white shot of the top half of the Empire State Building. It was a quizzical experiment that I suppose had to be done, but of

TriBeCa Diaries 2: The first day

It's a thrill, being on this side of the festival operations. As a fully accredited press person at the TFF, I'm sitting here writing this entry not in my chaotic, book-and-DVD-strewn apartment in Brooklyn, but in the swanky press office here in the East Village. Nice. And much different than the homey but low-budget amenities we offered at the Dahlonega Film Festival when I was its

TriBeCa Diaries 2: The first day

It's a thrill, being on this side of the festival operations. As a fully accredited press person at the TFF, I'm sitting here writing this entry not in my chaotic, book-and-DVD-strewn apartment in Brooklyn, but in the swanky press office here in the East Village. Nice. And much different than the homey but low-budget amenities we offered at the Dahlonega Film Festival when I was its