Showing posts with label Julianne Moore. Show all posts
Showing posts with label Julianne Moore. Show all posts
Friday, June 3, 2011
CINEMA GALLERY: 30 New Frames
I'm taking a tip from a few other websites (including Only The Cinema and The Dancing Image) and avoiding commentary on the shots I've selected. I like how they look without the words splitting up the images. It also leaves the viewer to guess, at least initially, as to which movies these scenes hail from. And I believe that, subconsciously, these varied frames, shunted together, form a unique
Labels:
Amy Irving,
Blindness,
Cinema Gallery,
Citizen X,
Edie Sedgwick,
Enter the Void,
Fury,
Julianne Moore,
Lon Chaney,
Match Point,
Natalie Wood,
Spider,
The Big Snit,
The Tree of Life,
Willie Nelson
CINEMA GALLERY: 30 New Frames
I'm taking a tip from a few other websites (including Only The Cinema and The Dancing Image) and avoiding commentary on the shots I've selected. I like how they look without the words splitting up the images. It also leaves the viewer to guess, at least initially, as to which movies these scenes hail from. And I believe that, subconsciously, these varied frames, shunted together, form a unique
Labels:
Amy Irving,
Blindness,
Cinema Gallery,
Citizen X,
Edie Sedgwick,
Enter the Void,
Fury,
Julianne Moore,
Lon Chaney,
Match Point,
Natalie Wood,
Spider,
The Big Snit,
The Tree of Life,
Willie Nelson
Tuesday, March 10, 2009
Film #114: Vanya on 42nd Street
It's Anton Chekov's naked sadness that finally makes Louis Malle's Vanya on 42nd Street so superlative. However, the trouble with doing the play on film is that with the excitement of a live performance absent, the picture might seem dull to audience members who aren't in step with this pure-bred brand of Russian fatalism. That's why Malle's choice to record one of Andre Gregory's many
Film #114: Vanya on 42nd Street
It's Anton Chekov's naked sadness that finally makes Louis Malle's Vanya on 42nd Street so superlative. However, the trouble with doing the play on film is that with the excitement of a live performance absent, the picture might seem dull to audience members who aren't in step with this pure-bred brand of Russian fatalism. That's why Malle's choice to record one of Andre Gregory's many
Tuesday, March 18, 2008
Film #13: Safe
Everyone who hears me describe the quiet but terrifying film Safe as a horror film always gives me a lot of gas. (snicker!) “Safe isn’t a horror movie, it’s a blah blah blah!” Well, I’m sorry, but yes, it is a horror film--an extremely modern one, one perhaps way ahead of its time, but a horror film nonetheless. I don't get why some people can't see it. I mean, not all horror movies have monsters
Film #13: Safe
Everyone who hears me describe the quiet but terrifying film Safe as a horror film always gives me a lot of gas. (snicker!) “Safe isn’t a horror movie, it’s a blah blah blah!” Well, I’m sorry, but yes, it is a horror film--an extremely modern one, one perhaps way ahead of its time, but a horror film nonetheless. I don't get why some people can't see it. I mean, not all horror movies have monsters
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