A Cinema Gallery: 200 Images, Part 4

36 color additions to my gallery of 200 screen images! This far in, I strangely feel myself getting way more personal in my choices. There might be what're considered SPOILERS here. By the way, I'll tag five more film bloggers--as is my requirement--at the end of Part 6 in a few days. Arriving at 140 images this time, here we have: At the movies, a man seems to thank God for his true love in

A Cinema Gallery: 200 Images, Part 4

36 color additions to my gallery of 200 screen images! This far in, I strangely feel myself getting way more personal in my choices. There might be what're considered SPOILERS here. By the way, I'll tag five more film bloggers--as is my requirement--at the end of Part 6 in a few days. Arriving at 140 images this time, here we have: At the movies, a man seems to thank God for his true love in

Film #109: Brazil

It was very much in character for Hollywood—and particularly, the meddlesome 70s/80s-era brass at Universal—to hold a movie like Terry Gilliam’s Brazil back from the masses. Completed in 1985, Brazil was first unspooled to the studio bosses in an infamous screening that resulted in abject anger from those who bankrolled the project; one wonders what they thought they were going to get, since we

Film #109: Brazil

It was very much in character for Hollywood—and particularly, the meddlesome 70s/80s-era brass at Universal—to hold a movie like Terry Gilliam’s Brazil back from the masses. Completed in 1985, Brazil was first unspooled to the studio bosses in an infamous screening that resulted in abject anger from those who bankrolled the project; one wonders what they thought they were going to get, since we